Pressifield says; “The enemy of the artist is the small-time Ego, which begets Resistance, which is the dragon that guards the gold.” [The War of Art 2012]
In the The War of Art] (2012) Pressfield labels the enemy of artistic practice creative resistance. Some people call this state of resistance procrastination. Resistance can simply be defined as a destructive force inside human nature that rises whenever we consider a tough, long-term course of action. Think of the amount of hours, dedication and practice it would take to become an internationally acclaimed world-class pianist.
Why Developing Artists Need to Build Resilience
The creative arts require what are called mastery experiences. Not just one but many of them and unfortunately, usually they are required to be experienced on a daily basis. Fortunately mastery experiences can be facilitated for students and teachers in small chunks. These chunks are often described as elements of creative knowledge and they are combined by a kind of lubricant called principles. It takes quite a long time and a lot of effort to combine all of these elements and principles in just such a way as to bring forth a powerfully liberated creative artist.
Be a Part of the Lifestyle of Creativity Explosion Worldwide
There is a creativity explosion occurring worldwide because artists can find ample support in creative communities of practice to sustain their need for emotional and educational encouragement online. These online communities of practice are often called CLIPs: Communities of Learning Inquiry and Practice. As more and more online communities come together, they provide evidence that there is a creative genius hidden in each and every one of us if we are willing to take the time and accept the support needed to foster and nurture this capacity.
Treasuring the Opportunity to Design a Creative Lifestyle
There is no such thing as treasure won without effort. Any gift that has come too easily will dissipate just as easily. This is because it has not been valued or fought for. But this level of ability entwined with mass- potential for creativity has its enemies and Pressfield (2012) provides for us a rogue’s gallery of the many manifestations of this condition of closed mindedness. As you read the book you will recognize each and every one of the lil’ devils described, for this force lives within us all
Writers know it as “block,” a creativity paralysis whose symptoms can bring on all manner of excuses for indecision and inability to perform at all let alone act and think creatively.
Artists Must Develop Positive Intelligence in a Proactive Way
In the book Positive Intelligence: Why Only 20% of Teams and Individuals Achieve Their True Potential AND HOW YOU CAN ACHIEVE YOURS (Chamine, 2012) talks about Positive Intelligence and he also says that Creativity Saboteurs are a universal phenomenon – they are the characterisation of feelings of insecurity that all people have when they face a daunting task. Have you ever watched someone play the piano or work on a sculpture and thought? “Oh! I could never do that!”
This is because to be able to design a creative lifestyle people need to be taught the basic building blocks and structure and steps of any creative process. Pressfield claims that the question is not – whether you have creativity saboteurs – but which ones affect you and how strong they are. Saboteurs that act as blocks to creativity are universal—spanning cultures, genders, and age groups—because they are connected to the functions of the brain that are focused on survival. All people from all cultures develop saboteurs early in childhood. People do this in order to survive the perceived threats of life, both physical and emotional.
Unfortunately later in life these saboteurs become redundant and are no longer needed. By taking an inner journey creative individuals risk taking a long, hard sustained look at their invisible foe and provide themselves with a perfect opportunity to “slay the dragon”.
To be able to develop this creative attitude to resilience each individual has to look at his or her own fears – or the discouraging things their saboteurs say – and face up to the challenge that these annoying little whispers provide. By acknowledging fear for just what it is FEAR (Usually of failure) artists can dismiss the negative thoughts that hold them back and take up so much time and energy.
We can turn this thing called fear into a resolute belief that “I can face everything and respond.”
- Chamine,S. (2012) Positive Intelligence: Why Only 20% of Teams and Individuals Achieve Their True Potential AND HOW YOU CAN ACHIEVE YOURS. Kindle
- Pressfield,S. (2012) The War of Art. Kindle